"其他", 共 个

犯规

这部作品非常奇特，起初映入眼帘的是足球运动员们在绿茵场上的角逐，随着足球的左来右去，观众的视点也不断随其变换。可是突然间，球员从地上捡起了球，原先的足球比赛顿时变成一场篮球比赛。队员们依旧激烈地你争我抢，可是在即将投篮的关键时刻，裁判的哨子吹响，比赛又回归成了足球比赛。但一会儿足球赛又变成了冰球比赛，一会儿又变回了足球比赛。最终，足球运动员们由于争抢足球而互相厮打起来，而此时足球自动滚了起来，像高尔夫球那样落入洞中，影片结束。

漫画

荣誉：克拉科夫国际电影节铜龙奖 　　导演点评：这原本是大阪世博会时（译注：1970年），为住友化学工业展馆制作的影片。本片在世博会上是在三面银幕上放映的，而这里收录的作品则是对其进行重组后完成的。

与枕头作战的玛莎

The girl Masha cannot sleep and goes for a walk. A cozy fairy tale journey through the summer night garden.

姆明一族

波兰制作的定格动画。 The Moomins is a stop motion animated children's television series based on the Tove Jansson's Moomin series of books which was produced by Se-ma-for and Jupiter Film between 1977 and 1982 for Polish, Austrian and German television. The series was later sold to other countries including the UK. The British version was adapted by Anne Wood at FilmFair and broadcast in the UK in 1983 on Children's ITV, and repeated in 1986. It was narrated by British actor Richard Murdoch. This series was the third series to be made based on the Moomin books. Two more were subsequently made. It is one of the two best-known Moomin series (along with the Japanese-made anime version Moomin (1990)). The 1977–1982 stop-motion version has been criticised for being scary in places and rather dark in tone for the young audience at which it was aimed. It is, in contrast to the 1990s series, widely believed to be the most faithful TV adaptation of Tove Jansson's stories, and much closer to her vision. Tove herself had a great deal of involvement during the series' production and was very happy with it (as revealed in an interview with Anne Wood in Simon Sheridan's 2007 book The A to Z of Classic Children's Television). The scripts for each episode were translated from Polish into Finnish and sent to Tove and Lars Jansson, who, if they felt that anything needed to be changed, corrected the script, expanding or rewriting it; afterwards, the scripts were sent back and only then did production of the particular episode begin. The opening titles featured a bouncy theme tune consisting of flutes and synthesizers composed by Graeme Miller and Steve Shill, and a popular still of Moomintroll holding a hat.

串珠游戏

I was absolutely floored for the six minutes that I spent viewing "The Bead Game". Using nothing more than cheap decorative beads, we are given a short history on the development of the animal side of nature. The end of "The Bead Game" was powerful statement on how animalistic and brutal humans are toward one another. In the twenty-five years since this short film was made, humans have advanced their intelligence in the areas of weaponry, brutality, and violence. It seems the most obvious and significant advance has been the marketing of mass media that seems to glorify violence. "The Bead Game" stands a sort of a testament and a warning that humanity is on a doomed path if we continue forth in the areas of war and destruction. I give this animated masterpiece a 10 out of 10! 　　PS: There are laws of war and revolution. One is the law of unintented consequences. You have to bevery careful when you come upon a proverbial Pandora's Box. Once you choose that open that box, you don't completely expect every aftershock that will be wrought from it and it will take a very long time to overcome them

十的次方

This is a really interesting film about how large the universe is and how powers of ten become so drastically distant. 　　It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on. 　　Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds. 　　After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.

打鸡蛋

宽大的餐桌前，坐着一个一本正经的男子。他面前的酒杯里放着一枚鸡蛋，他拿起勺子，准备享用这个无上的美味。然而奇怪的事情随即发生，当勺子敲打鸡蛋时，竟从蛋壳里发出询问的声音，“嗨，是谁呀？”。男子对此非常好奇，于是开始不断地敲打，而那个神秘的声音也从闻询变成质疑、愤怒甚至恐慌，好像在阻止可怕的事情发生一般。不过男子兴致高涨，干脆捏破了这枚鸡蛋。 　　恶作剧结束，奇怪的声音销声匿迹。当男子端正坐好准备进餐时，又一件奇怪的事情发生了……

月亮

沙丘城堡

第50届奥斯卡金像奖 最佳动画短片

多特和袋鼠

1884年，新南威尔士：一个红头发的五岁女孩Dot迷失在澳大利亚丛林中，一只失去小袋鼠的雌性红袋鼠答应帮助Dot找到回家的路。在这个过程中，袋鼠带着Dot认识了许多其他本地动物，让她对大自然有了更深的理解和感悟。

霍比特人

Bilbo Baggins the Hobbit was just minding his own business, when his occasional visitor Gandalf the Wizard drops in one night. One by one, a whole group of dwarves drop in, and before he knows it, Bilbo has joined their quest to reclaim their kingdom, taken from them by an evil dragon named Smaug. The only problem is that Gandalf has told the dwarves that Bilbo is an expert burglar, but he isn't....

旧盒子

本片用极其简朴的线条描绘了一个奇幻而又夹杂着黑色幽默的故事。 　　圣诞节前夕，一位拾荒老人在垃圾池边上捡到一个盒子，捡回后经过自己的精心打扮，幻想着节日到来之际自己所需要的礼物。而不幸的是，天气越来越寒冷，老人不得不躲进盒子里御寒。最终，星星进入了盒子里，带走了老人的灵魂。本片充满盎然童心、以无限好奇观察着这彷如万花筒般的世界，而老人最终在盒子中逝世，无疑又给人淡淡的忧伤。

史努比的惊险夏令营

The Peanuts gang goes to summer camp, and they participate in a river-raft race against some cheating bullies.

从容的快板

在一个漆黑的音乐厅里，主持人向大家介绍，你即将看到的作品将是一部让你过目难忘的作品，作品的奇特之处在于导演充分发挥想象力，将古典乐结合动画进行表演，从独特的视角诠释了德彪西等作曲家六段经典音乐。作品无论在创意、想象力还是表现的深度和多样性上，都超过迪士尼1940年出品的《幻想曲》。德布西的《牧神的午后》 ，描写老牧师憧憬年轻女子，充满官能的诱惑以及对礼教的讽刺；拉威尔的《波烈罗》 ，讲从一支可口可乐瓶子里开始的生物进化史；史特拉汶斯基的《火鸟》，生动的演绎了现代版的亚当与夏娃的故事。 　　本片被网上影评协会（OFCS）评为影史百部动画电影佳片第九十二名。

救难小英雄

       迪士尼第23部经典动画长片《救难小英雄》讲述了一个叫潘尼的孤儿,在漂流瓶里放了一张“救救我”的纸条寻求救助,幸好被她的朋友小老鼠碧卡与伯纳发现,他们历经艰险、克服磨难,终于寻到魔窟。原来潘尼在恶魔玛杜莎手上,玛杜莎要潘尼去寻找价值连城的宝石。但是首先他们必须克服玛杜莎的两个守护神鳄鱼的坚强防护……。而伯纳与碧卡也经过这场冒险,产生了真挚的感情。

战斗

关于艺术、时间的隐喻，或者说艺术如何利用艺术家的生活来创作作品，他倾注了自己的才华、活力和生命中最美好的岁月。

坦克的复仇

A military scientist creates a mind-reading weapon for his generals on a remote island. After the demonstration, the generals are pleased. Little do they realize, both the weapon, and the creator of the weapon have a mind of their own.

变形记

题材都是现成的，一个是Mordecai Richler的成名作，一个是Kafka的同名小说改编。Caroline Leaf在玻璃上洒上海滩沙作画，每一个画面拍摄两个frames后进行修改，再拍摄下一个画面。这种作画方式的特点是不能够修改错误，如果犯了错误，别无选择只能够跟它继续相处。毁掉重画是不可能的。所以这种作画方式的本质很像是自由写作（free writing），作者让笔自己把意念传递到纸上，如果出了错误就顺其自然。也就是说，要有一点禅意。虽然说是作画方式的要求，但隐约在画风裡也可以读到一点。

魔界传奇

人类由于核战争已经湮灭，灰烬上兴起的种族：精灵族，仙女族，矮人族和突变种继续在地球上繁衍生息。仙女族女王生下双胞胎儿子，都是强大的巫师。 Avatar是一个善良的小精灵而Blackwolf是一个邪恶的突变种。

窗

神秘的玫瑰

A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker’s traumatic Catholic experience. The film is intended in part as ‘anti-imagery’ in response to the iconography of Catholicism.

萨莉的故事

《钟人》（Clock Man）在外网是很著名的失传媒体 (Lost Media)，历经五年后终于得以找回。 本动画原名为《萨莉的故事》 (O paradivé Sally)，是捷克斯诺伐克的一部儿童教育类动画，后出口至美国尼克儿童频道的《风车》节目播出，因一位外网博主在论坛上发布的对这部作品的讨论而兴起过一波寻找浪潮，成为了著名的失传媒体 本片有捷克语原版和英语配音版本，两个版本的剧情几乎是截然不同，这边很推荐友友们两个版本都看一下，也能知道明明是相同的画面，怎么做到通过配音而使剧情完全不同的。   ——枳染

屋里有马

An investigation into a blue horse with roller skates in an apartment building turned into a nightmare.

恶魔的面具

法国某个乡村，人们为一年一度的万圣节精心准备着面具。万圣夜狂欢开始前，村里受人喜爱的、不喜欢面具的老妇人安琪儿又像往年一样，牵着她的羊儿不畏狂风和夜黑来到了山里。 安琪儿独自玩多米诺骨牌时，迎来戴着面具的恶魔，一番简短对话，两人玩起多米诺骨牌，规定安琪儿若赢，恶魔施法令她还复少女面容；若输，恶魔收取她的灵魂。一局下来，恶魔施伎俩让安琪儿从镜中看到一张年轻的面庞。两人又玩一局，规定若恶魔输，他要给安琪儿看真面目，但恶魔只是戴了很多张面具的村民假扮。真正的恶魔揭下面具的一刻令人跌破眼镜。