"Y", 共 个

远航未来

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

伊卡洛斯之翼

宇宙战舰大和号

宇宙战舰大和号，堪称是日本动画的元祖级作品。原作是日本著名漫画家，松本零士。在日本国内，宇宙战舰大和号，与高达 EVA并称日本动画三大神作。其代表日本动画起步之作。毕竟是1974的TV动画，制作质量和画风都不尽如人意。

原始星球

奇幻星球上住着体型高大、高度智慧的德拉格人和犹如蚂蚁、不开化的奥姆斯人，前一种人占据统治地位，把奥姆斯人当做玩物。泰尔是一个聪明的奥姆斯奴隶，他在驯养他的德拉格小女孩提瓦日常学习的知识耳机学习了知识，并偷走了她的知识耳机，于是一场反对戴格斯人的起义爆发了。 　　起初奥姆斯人处于绝对劣势，死伤无数，然而在泰尔的带领下，他们渐渐学会了制造各种工具，掌握知识发展了一定程度的科技。最后他们找到了泰格斯人的弱点，用高能武器摧毁了赋予泰格斯人能量的雕像。两个文明在互相对彼此基础生存发生威胁之际，德拉格人的大师在保障彼此利益下选择了和平共处，从此两文明踏入新纪元，德拉格人赋予奥姆斯人知识与精神思考的力量，而奥姆斯人则为德拉格人提供劳动力，现在星球有了除了原始的冥想星球外有了另一颗卫星，住着奥姆斯人，那颗卫星名叫泰尔。

勇气之树

浴室

导演点评：本作为实拍逐帧影片。我搬家后，将原来住的地方又续租了一个月，然后在空空如也的房间里长时间设置了摄影机，拍摄了这部作品。

原始少年リュウ

原始時代と呼ばれる時代、肌の色の白い赤ん坊が生まれた。他の子供との違いが忌み嫌われ、捨てられた赤ん坊は、類人猿のキティに育てられる。 赤ん坊は立派に成長したが、母親のキティはリュウを庇って、片目のティラノに襲われ、命を落とす。片目のティラノを倒すためと、本当の母親に巡り合うために、リュウは旅に出ることを決意する。 途中で出会った姉弟、ランとドンを連れての旅となるが、リュウの、苦難との戦いは続く。

彦一とんちばなし

Hikokazu is walking around selling watermelons when he meets Chuemon, a family retainer, in front of a castle. He was looking for someone with wisdom, as he was troubled by an envoy from a neighboring country who was making unreasonable demands. Hikokazu decides to cooperate with Chuemon on the promise that he will buy all the watermelons.

野良黑

「明治百年」にあたるこの時期に昭和初期のリバイバルブームが起こり、上述の通り「少年倶楽部」連載版をおさめた『のらくろ漫画全集』が復刻・刊行されてヒットした。これを受けて1970年にアニメの制作に至る。 軍隊の話という基本設定は原作と同じであるが、原作の要素「のらくろの出世」は戦後の時代を考慮してはずされ、のらくろは最後まで「二等兵」でデカと同僚の設定。また、原作に女性キャラクターのいない点を補い、従軍看護婦のミコがオリジナルで追加された。 原作が昭和初期の作品であることから、当時の子供向けテレビアニメとしては珍しく大人からの反響が大きかった。本放送開始以後、1970年10月末までにフジテレビには約2,000通の手紙が寄せられたが、その中の約40%が大人からのものだった。大人層からの反響では、原作から戦後向けにアレンジされた点（特にアニメオリジナルキャラクターのミコ）に関しては概ね不評だった。

一定会顺利

药屋少女的呢喃 剧场版

药屋少女的呢喃 第三季

月亮与公主

一念永恒 第四季

异世界玩家 ー用HP1进行最强最快的迷宫攻略ー

マンチキン── それはルールを駆使し、時にはその穴をも意図的に利用して、 自分に有利なプレイをするTRPG（テーブルトークRPG）プレイヤー。 TRPG好きのありふれた高校生「桐原行人（ユキト）」は、 最愛の妹「佐奈」とTRPGに興じている最中、 突然異世界より現れたモンスターに襲撃され、理不尽な死を迎えてしまう。 異世界〈エバーワールド〉の女神「ネフィリア」から 転生の機会を与えられたユキトは、偶然にもネフィリアの所有する 〈世界書（ワールド・マスターズ・ガイド）〉に佐奈の記述を発見。 大切な妹を異世界で探すために〈世界書〉を奪って転生するのだった。 「マンチキンにならなければ、この世界では生き残れない」 マンチキン──それは過酷な異世界で生き残るための術。 強靱な意志と〈ダイス〉が運命を決めるTRPG冒険譚、開幕！

月光曲

This article is about the American filmmaker. For the American publisher and writer, see Larry N.Jordan. Larry Jordan is an independen t filmmaker who has been working in the Bay Area in California since 1955, and making films since 1952. He has produced some 40 experimental and animation films, and three feature-length dramatic films. He is most widely known for his animated collage films. In 1970 he received a Guggenheim Fellowship to make Sacred Art of Tibet. His animation has shown by invitation at the Cannes Film Festival. Jordan is one of the founding directors of Canyon Cinema Cooperative. He has shown films and lectured throughout the country. He is presently chairman of the film department at the San Francisco Art Institute.

爷爷当海盗那时候

You’re Not Real Pretty but You’re Mine…

“Mouris’s film, YOU’RE NOT REAL PRETTY BUT YOU’RE MINE…, built upon the strongest elements of QUICK DREAM, and added a pop music soundtrack. Mouris says, “I shot another 100 foot roll on classmate Jerry Strawbridge’s home animation stand, and edited that into the best sequences from QUICK DREAM. The whole film was a tongue-in-cheek series of odd couples/couplings, which the title suggested. The FRANK FILM photo collage animation evolved here.” - Yale

羊毛球

大风呼啸不止的寒冷冬夜，衣不蔽体的老奶奶正奋力赶路，突然，一个会发光的毛线球滚到她脚下，老奶奶将它捡起，可是因为毛线实在太少，又将它放下准备继续赶路。这时，毛线球变身成为一只毛线小羊，老奶奶惊喜地发现，这只小羊是取之不尽的宝库，她用它不仅编织出取暖用的衣物，还编织出温暖的房间和各种日常用品。 　　老奶奶生活条件的突变引起穷苦邻居的好奇，他们纷纷来到她的门前一窥究竟，老奶奶将小羊藏好，邀请他们进屋，并秘密地继续编织出各种高档用品。优美欢快的音乐声中，穷困的人们相拥起舞，老奶奶瞥见自己皱纹纵横的脸，想着编织出一张年轻的容颜，她不知道的是，躲在暗处的小羊此时已精疲力竭。        面向成年观众。本片基于Ovsey Driz的童话故事改编。

与魏茨曼野餐

Various objects are having a sunny outing together in the nature.

影

音楽：ザ・ピーナッツ『恋のロンド』監督：林静一

妖怪人间贝姆

月光与眼镜

An adaptation of Mimei Ogawa's short story. It was a night with a beautiful moon. An optician visited an old lady who was living in a house alone just outside of town. Since she has gotten older and her eyesight has weakened, she bought a pair of large-rimmed glasses made of tortoise shell...

鱼缸里的猫叫声

《猫和老鼠》（Tom and Jerry）剧场短片系列第148集，也是查克·琼斯制作的第21集。 汤姆饿了，决定偷吃房中鱼缸里养的金鱼，金鱼用水泡向杰瑞呼救，杰瑞抄起大头针出了鼠洞，一针把几乎得手的汤姆扎得冲出了房子。汤姆掉进了铁垃圾桶，却将其当作盔甲准备回去报复…… 本集与第56集"Jerry and the Goldfish"情节类似，都讲述了杰瑞从汤姆手中救金鱼的故事。 标题是无骨牛肉（腓力牛排，filet mignon）的谐音双关语。