"其他", 共 个

赤鬼与青鬼的探戈

『みんなのうた』のアニメーション制作はひこねのりお。アニメーションに登場するキャラクターは、赤鬼・青鬼・ウサギのみ。7羽の白いウサギによるヴァイオリンの演奏と女声コーラスを交えて赤鬼と青鬼が山の中の広場でタンゴを踊る。2人の鬼の踊りと、その合間にヴァイオリン演奏やコーラスをするウサギたちがユーモラスに描かれている。 1984年12月には、ステレオ音源版も登場している。 『みんなのうた』のほか、同じくNHKの番組『おかあさんといっしょ』でも放送された。こちらの番組のアニメーションは、西内としおが制作したものになっている。 2011年4月23日、『みんなのうた・スペシャル 1970'sセレクション』でも放送された。こちらでは1977年版が放送された。その後、2011年12月から2012年1月にも1977年版が再放送され、1978年以来、33年ぶりの再放送となった。

串珠游戏

I was absolutely floored for the six minutes that I spent viewing "The Bead Game". Using nothing more than cheap decorative beads, we are given a short history on the development of the animal side of nature. The end of "The Bead Game" was powerful statement on how animalistic and brutal humans are toward one another. In the twenty-five years since this short film was made, humans have advanced their intelligence in the areas of weaponry, brutality, and violence. It seems the most obvious and significant advance has been the marketing of mass media that seems to glorify violence. "The Bead Game" stands a sort of a testament and a warning that humanity is on a doomed path if we continue forth in the areas of war and destruction. I give this animated masterpiece a 10 out of 10! 　　PS: There are laws of war and revolution. One is the law of unintented consequences. You have to bevery careful when you come upon a proverbial Pandora's Box. Once you choose that open that box, you don't completely expect every aftershock that will be wrought from it and it will take a very long time to overcome them

十的次方

This is a really interesting film about how large the universe is and how powers of ten become so drastically distant. 　　It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on. 　　Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds. 　　After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.

打鸡蛋

宽大的餐桌前，坐着一个一本正经的男子。他面前的酒杯里放着一枚鸡蛋，他拿起勺子，准备享用这个无上的美味。然而奇怪的事情随即发生，当勺子敲打鸡蛋时，竟从蛋壳里发出询问的声音，“嗨，是谁呀？”。男子对此非常好奇，于是开始不断地敲打，而那个神秘的声音也从闻询变成质疑、愤怒甚至恐慌，好像在阻止可怕的事情发生一般。不过男子兴致高涨，干脆捏破了这枚鸡蛋。 　　恶作剧结束，奇怪的声音销声匿迹。当男子端正坐好准备进餐时，又一件奇怪的事情发生了……

旧盒子

本片用极其简朴的线条描绘了一个奇幻而又夹杂着黑色幽默的故事。 　　圣诞节前夕，一位拾荒老人在垃圾池边上捡到一个盒子，捡回后经过自己的精心打扮，幻想着节日到来之际自己所需要的礼物。而不幸的是，天气越来越寒冷，老人不得不躲进盒子里御寒。最终，星星进入了盒子里，带走了老人的灵魂。本片充满盎然童心、以无限好奇观察着这彷如万花筒般的世界，而老人最终在盒子中逝世，无疑又给人淡淡的忧伤。

战斗

关于艺术、时间的隐喻，或者说艺术如何利用艺术家的生活来创作作品，他倾注了自己的才华、活力和生命中最美好的岁月。

坦克的复仇

A military scientist creates a mind-reading weapon for his generals on a remote island. After the demonstration, the generals are pleased. Little do they realize, both the weapon, and the creator of the weapon have a mind of their own.

シンフォニック・バリエーション

窗

神秘的玫瑰

A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker’s traumatic Catholic experience. The film is intended in part as ‘anti-imagery’ in response to the iconography of Catholicism.

萨莉的故事

《钟人》（Clock Man）在外网是很著名的失传媒体 (Lost Media)，历经五年后终于得以找回。 本动画原名为《萨莉的故事》 (O paradivé Sally)，是捷克斯诺伐克的一部儿童教育类动画，后出口至美国尼克儿童频道的《风车》节目播出，因一位外网博主在论坛上发布的对这部作品的讨论而兴起过一波寻找浪潮，成为了著名的失传媒体 本片有捷克语原版和英语配音版本，两个版本的剧情几乎是截然不同，这边很推荐友友们两个版本都看一下，也能知道明明是相同的画面，怎么做到通过配音而使剧情完全不同的。   ——枳染

屋里有马

An investigation into a blue horse with roller skates in an apartment building turned into a nightmare.

螃蟹

Krabi (1976) 　　12 min - Animation | Short | Sci-Fi - 1976 (Czechoslovakia)

Le paysagiste

A particularly creative example of the pinscreen animation technique, this film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words.

彩虹飞车

A short film which follows two ducks and a robot who spend their day at an amusement park.

德古拉之歌

オナカの大きな王子さま

涂绘的闪电

费那奇镜

フェナキストスコープ（英: Phenakistoscope）またはフェナキスティスコープ（英: Phenakistiscope）は、回転のぞき絵（ゾートロープ）に先駆けて登場した初期のアニメーション機器。1831年、ベルギーのジョゼフ・プラトーとオーストリアのジーモン・フォン・シュタンプフェルがほぼ同時に発明した。日本語では「おどろき盤」という呼称もある。これは、1970年代に日本でフェナキストスコープを復元した古川タクが、「驚き盤」として命名したものとされている。

幻象

"Every living thing that shares the planet with us has had to adapt and evolve over millions of years. Every flower, every insect, every animal is a miracle waiting to be discovered, a marvel to be respected and loved. But we like to replace them with our own inventions, served up by the magicians of advertising, the promoters of progress and over-consumption. Unfortunately, these inventions are outmoded all too quickly. They break down, often taking with them that which is essential to our lives and happiness, the elements needed to sustain the real miracles accomplished by nature."

登月飞行

The utopian vision of a lunar spacecraft voyage that will affect life on Earth.

Arabesque

John Whitney’s pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art. Like many other computer graphics pioneers, this film suggests roots in psychedelics and spiritual quests as much as engineering and mathematics. Preserved by the Academy Film Archive in 2007.

透视画法

利用线和面趋向会合的视错觉原理，以现实的手法在两维的平面上刻画三维物体的艺术，被称作“透视画法”，它提供了一个对物体或景色的三维观察视角。 　　Georges Schwizgebel讲述何为“透视画法（Perspectives）”，用的却是一段约两分钟的影像和一段流畅配乐。舞台上将众多焦点集于一身的女模特，从其它的视角去看，有可能是一个正在运动的男人或奔跑的猛兽形象，此物与彼物可以是同一个物体，不过观众观看的角度有异而已。

马戏团序曲

Suzan Pitt被认为是当代最为著名的独立实验动画艺术家之一，她的作品《Asparagus》曾和大卫林奇的《橡皮头》同时在奥伯豪森短片电影节上获奖。 　　Suzan Pitt自1970至今创造了15部动画作品，常常与音乐家合作，其中包括“碗（Bowl ）”(1970)、“芦笋（Asparagus ）”(1979)和“欢乐街（Joy Street ）”(1995)等。她的作品在全世界众多的电影节和、沙龙展、大学和博物馆播放，包括芝加哥艺术学会、徒步者艺术中心和耶鲁大学等地。她曾经获得包括洛克菲勒基金会合作基金（一个专为公共艺术作品所设立的奖项），富步莱特法案基金学者奖和哈福大学研究基金等。同时，她也任教于许多大学，近来在加利福利亚艺术学会执教。